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  • Interviews
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    • Rhea Seehorn on the Deductive Art of Character: Unlocking the Nuance of Carol in Apple TV+'s 'Pluribus'

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    • Rufus Sewell on ‘The Diplomat’ Season 3, Keri Russell, and Why Chemistry Can’t Be Manufactured

    • Luke Tennie on ‘Shrinking,’ ‘The Pitt,’ and Why Representation Starts With Great Characters

    • Stephen Root on Balancing Comedy, Horror, and Heart in ‘Widow’s Bay’

    • Actors
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  • Television FYC
    Featured
    • Rhea Seehorn on the Deductive Art of Character: Unlocking the Nuance of Carol in Apple TV+'s 'Pluribus'

    Recent
    • Rufus Sewell on ‘The Diplomat’ Season 3, Keri Russell, and Why Chemistry Can’t Be Manufactured

    • Luke Tennie on ‘Shrinking,’ ‘The Pitt,’ and Why Representation Starts With Great Characters

    • Stephen Root on Balancing Comedy, Horror, and Heart in ‘Widow’s Bay’

    • Adolescence
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    • Film Review: 'Sentimental Value' | Raw. Painful. Beautiful

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    • (L-R) Matt Stone and Trey Parker attend Comedy Central's South Park FYC Event at Linwood Dunn Theater on May 19, 2026 in Los Angeles, California.

      ‘South Park’ Creators Trey Parker and Matt Stone Talk Writing Process, AI, and Enduring Legacy at FYC Event

    • Inaugural Character Honors Celebrates the Expanding Influence of AAPI Leaders Across Industries

    • 86th Annual Peabody Awards Announce Nominees Across Documentary, News, Public Service, and Podcast Categories

    • STICK’s Cast and Creators Talk Golf and Series Insights at FYC Carpet

    • ‘Train Dreams’ and ‘Adolescence’ Lead the Way at the 2026 Film Independent Spirit Awards

    • Unforgettable Awards Reveal 2026 Honorees Celebrating AAPI Excellence Across Film and Television

  • Reviews
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    • Film Review: 'Sentimental Value' | Raw. Painful. Beautiful

    Recent
    • Film Review: ‘The Invite’ Finds Big Emotional Truths Inside an Awkward Dinner Party

    • Film Review: ‘Power Ballad’ Finds Heart in Faded Dreams, Even If the Music Doesn’t Fully Soar

    • Film Review: Film Review: Andrew Scott Anchors ‘Pressure’ in a Quietly Commanding Turn

    • Film Review: ‘Michael’ Trades Complexity for a Carefully Curated Legacy

    • ‘Beef’ Season 2 Review: Netflix’s Acclaimed Anthology Evolves Beyond Its Original Formula

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AF Staff

Composer Sherri Chung

Composer Sherri Chung on Working in Animation and Incorporating Chinese Opera on ‘Gremlins: Secrets of the Mogwai’

1984’s Gremlins features a timeless score from iconic composer Jerry Goldsmith, so the composer for Gremlins: Secrets of the Mogwai – the hit animated prequel series streaming now on Max – was always going to ... Read More...
Yvette M. Amirian, ACE

Editor Yvette M. Amirian, ACE on Cutting Across Genres and Uplifting Armenian Voices

Acclaimed editor Yvette M. Amirian, ACE refuses to let genre restrict or define her. “I think there’s often too much focus on whether or not an editor is ‘capable’ of cutting a specific genre,” says Amirian... Read More...
Glisten and the Merry Mission

‘Glisten and the Merry Mission’ Composers Meiro Stamm and Antonio Naranjo Discuss Collaboration and Scoring for Animation

Glisten and the Merry Mission is not your ordinary Christmas movie. The animated film manages to capture the spirit of the Build-A-Bear universe and marry that with the perennial magic of the Christmas season.... Read More...
Cinematographer Dominique Martinez

Emmy-Nominated Cinematographer Dominique Martinez on Her Journey from Children’s TV to Neo-Noir

Cinematographer Dominique Martinez’s next film is a dynamic short called Black Apple. It’s a stylish neo-noir set in a high school, and Martinez serves as both co-director and cinematographer on the film. T... Read More...
Composer Yeakun Yoo

‘Lies of P’ Composer Yeakun Yoo on Using Melody to Create a Gloomy Version of Pinocchio

The first thing players will likely notice about the acclaimed video game Lies of P is its difficulty. The second thing, however, is the game’s mesmerizing score, courtesy of Yeakun Yoo, one of the most exciti... Read More...
Lighting Designer Cory Pattak

Lighting Designer Cory Pattak on Adapting ‘The Great Gatsby’ for Broadway

2024 is poised to be quite the year for lighting designer Cory Pattak, one of the most exciting young creatives in the world of theatre. Pattak already made his Broadway debut with Spamalot at the St. James... Read More...

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