Awards Focus

Dave Porter Reflects on Scoring ‘Pluribus’ and Nearly Two Decades of Working With Vince Gilligan

For Emmy-nominated composer Dave Porter, scoring ‘Pluribus’ is the product of a creative shorthand forged through almost 20 years of working alongside Vince Gilligan. “Part of the job of a composer is to be... Read More...

Kris Bowers and Michael Dean Parsons on Creating the Experimental Score for ‘Spider-Noir’

Emmy-nominated composers Kris Bowers and Michael Dean Parsons approached ‘Spider-Noir’ with an unusual directive: ignore the temp score and create something entirely their own. “We knew it was going to be l... Read More...

‘Black Rabbit’ Composers Saunder Jurriaans and Danny Bensi on the Emmy-Nominated Finale

By the time ‘Black Rabbit’ reached its finale, Emmy-nominated composers Saunder Jurriaans and Danny Bensi had transformed the show’s sonic identity into something entirely unexpected. “It was all just this ... Read More...

Rufus Sewell on ‘The Diplomat’ Season 3, Keri Russell, and Why Chemistry Can’t Be Manufactured

Rufus Sewell reflects on “The Diplomat” Season 3, the remarkable chemistry he shares with Keri Russell, Debora Cahn’s razor-sharp writing, and why Hal Wyler remains one of television’s most compelling morally complex characters. He also explains why, after three decades, he’s having more fun than ever.

Luke Tennie on ‘Shrinking,’ ‘The Pitt,’ and Why Representation Starts With Great Characters

Luke Tennie is having a remarkable run across “Shrinking,” “The Pitt,” and “Abbott Elementary.” The actor discusses improvising with Jason Segel, learning from Noah Wyle, navigating two hit series at once, and why a conversation about the bamboo ceiling became one of the most meaningful moments of our interview.

Stephen Root on Balancing Comedy, Horror, and Heart in ‘Widow’s Bay’

Stephen Root discusses joining Apple TV+'s acclaimed "Widow's Bay," bringing Wyck's mythology-heavy role to life, and why the show's writing reminded him of "Barry." The veteran actor also reflects on working with Matthew Rhys, balancing horror and comedy, and the series' newly announced second season.

How Kate O’Flynn Turned Patricia Into ‘Widow’s Bay’s’ Most Beloved Character

Kate O'Flynn discusses finding Patricia through instinct, balancing horror and comedy, and why the character has resonated so deeply with audiences. The "Widow's Bay" star also reflects on the acclaimed Episodes 4 and 8, working with Matthew Rhys, and the show's recently announced Season 2 renewal.

Barrie Gower on Vecna’s Evolution for the Final Season of ‘Stranger Things’

For nearly a decade, "Stranger Things" occupied a unique place in popular culture. Since debuting in 2016, the Netflix phenomenon grew from a nostalgic science fiction thriller into one of the defining televis... Read More...

‘Fallout’ VFX Supervisor Jay Worth on New Vegas, Deathclaws, and Earning Fans’ Trust

"Fallout" VFX Supervisor Jay Worth discusses building New Vegas for Season 2, collaborating with Bethesda, earning the trust of longtime fans, balancing practical and digital effects, and why some of the series' most impressive visual effects are the ones audiences never realize are there.

Shane Reid and Darrin Roberts on Balancing Comedy, Heart, and Trauma in ‘John Candy: I Like Me’

For editors Shane Reid and Darrin Roberts, shaping ‘John Candy: I Like Me’ meant looking beyond the beloved comedian’s screen persona and uncovering the deeply personal story behind the laughs. “It was like... Read More...

Rhea Seehorn on the Deductive Art of Character: Unlocking the Nuance of Carol in Apple TV+'s 'Pluribus'

Jason Ritter on Julian’s Redemption and That Emotional ‘Matlock’ Breakdown

Dave Porter Reflects on Scoring ‘Pluribus’ and Nearly Two Decades of Working With Vince Gilligan

Kris Bowers and Michael Dean Parsons on Creating the Experimental Score for ‘Spider-Noir’

Rhea Seehorn on the Deductive Art of Character: Unlocking the Nuance of Carol in Apple TV+'s 'Pluribus'

Dave Porter Reflects on Scoring ‘Pluribus’ and Nearly Two Decades of Working With Vince Gilligan

Rufus Sewell on ‘The Diplomat’ Season 3, Keri Russell, and Why Chemistry Can’t Be Manufactured

Luke Tennie on ‘Shrinking,’ ‘The Pitt,’ and Why Representation Starts With Great Characters

Film Review: 'Sentimental Value' | Raw. Painful. Beautiful

Film Review (Spoiler Free): ‘Spider-Man: Brand New Day’ Features Tom Holland’s Finest Performance Yet

‘South Park’ Creators Trey Parker and Matt Stone Talk Writing Process, AI, and Enduring Legacy at FYC Event

Inaugural Character Honors Celebrates the Expanding Influence of AAPI Leaders Across Industries

86th Annual Peabody Awards Announce Nominees Across Documentary, News, Public Service, and Podcast Categories

STICK’s Cast and Creators Talk Golf and Series Insights at FYC Carpet

‘Train Dreams’ and ‘Adolescence’ Lead the Way at the 2026 Film Independent Spirit Awards

Film Review: 'Sentimental Value' | Raw. Painful. Beautiful

Film Review (Spoiler Free): ‘Spider-Man: Brand New Day’ Features Tom Holland’s Finest Performance Yet

Film Review: ‘The Invite’ Finds Big Emotional Truths Inside an Awkward Dinner Party

Film Review: ‘Power Ballad’ Finds Heart in Faded Dreams, Even If the Music Doesn’t Fully Soar

Film Review: Film Review: Andrew Scott Anchors ‘Pressure’ in a Quietly Commanding Turn

Film Review: ‘Michael’ Trades Complexity for a Carefully Curated Legacy

‘Beef’ Season 2 Review: Netflix’s Acclaimed Anthology Evolves Beyond Its Original Formula

Dave Porter Reflects on Scoring ‘Pluribus’ and Nearly Two Decades of Working With Vince Gilligan

Kris Bowers and Michael Dean Parsons on Creating the Experimental Score for ‘Spider-Noir’

‘Black Rabbit’ Composers Saunder Jurriaans and Danny Bensi on the Emmy-Nominated Finale

Rufus Sewell on ‘The Diplomat’ Season 3, Keri Russell, and Why Chemistry Can’t Be Manufactured

Luke Tennie on ‘Shrinking,’ ‘The Pitt,’ and Why Representation Starts With Great Characters

Stephen Root on Balancing Comedy, Horror, and Heart in ‘Widow’s Bay’

How Kate O’Flynn Turned Patricia Into ‘Widow’s Bay’s’ Most Beloved Character

Barrie Gower on Vecna’s Evolution for the Final Season of ‘Stranger Things’

‘Fallout’ VFX Supervisor Jay Worth on New Vegas, Deathclaws, and Earning Fans’ Trust

Shane Reid and Darrin Roberts on Balancing Comedy, Heart, and Trauma in ‘John Candy: I Like Me’

Emmys 2026