It’s hard to imagine a large audience demanding a sequel to the 1996 animated Beavis and Butthead film. Within minutes of the Paramount + original, Mike Judge’s talents are on full display with many laughs from the start. The realm of this movie is completely in the aburdist comedy genre, and yet you have to be really smart to do stupid comedy well for 90 minutes.

Beavis and Butthead (both voiced by Mike Judge) are mistaken for science geniuses and taken on a space mission where they are jettisoned into a black hole sending them forward in time to 2022. Thankfully, the fish-out-of-water jokes are kept to a minimum, though the confrontation of their out-of-time ignorance with modern technology and social attitudes provides some of the best moments.

The set piece regarding white privilege is worth the viewing alone, and there’s several laughs to be had there. There’s a fun subplot where Beavis grows closer to self-reflection and emotional intimacy through the sheer act of talking to a woman on the phone, though he doesn’t understand it’s only the voice assistant Siri.

There’s also an alternate universe “smart” Beavis and “smart” Butthead warning them about the dire consequences of space-time, and they admit that in no universe, with no iteration, have a Beavis or a Butthead ever “scored.” However, the duo managed to score with this mildly enjoyable sequel.

About The Author

Founder, Awards Editor

Byron Burton is the Awards Editor and Chief Critic at Awards Focus and a National Arts and Entertainment Journalism Award winning journalist for his work at The Hollywood Reporter.

Byron is a proud member of the Television Academy, the Hollywood Critics Association (HCA), and the Society of Composers & Lyricists (SCL) for his work on Marvel's X-Men Apocalypse (2016). Working as a journalist and moderator, Byron hosts Emmy and Oscar panels for the major studios, featuring their Below The Line and Above The Line nominees (in partnership with their respective guilds).

Moderating highlights include Ingle Dodd's "Behind the Slate" Screening Series and their "Spotlight Live" event at the American Legion in Hollywood. Byron covered the six person panel for Universal's "NOPE" as well as panels for Hulu's "Pam & Tommy Lee" and "Welcome to Chippendales" and HBO Max's "Barry" and "Euphoria."

For songwriters and composers, Byron is a frequent moderator for panels with the Society of Composers and Lyricists (SCL) as well as The ArcLight's Hitting the High Note Oscar series.

Byron's panels range from FX's Fargo to Netflix's The Crown, The Queen's Gambit, The Witcher & Bridgerton; HBO Max's The Flight Attendant, Hacks, Succession, Insecure, & Lovecraft Country; Amazon Studios' The Legend of Vox Machina, Wild Cat, & Annette; and Apple TV+s Ted Lasso, Bad Sisters, and 5 Days at Memorial.

In February of 2020, Byron organized and hosted the Aiding Australia Initiative; launched to assist in the restoration and rehabilitation of Australia's wildlife (an estimated 3 billion animals killed or maimed and a landmass the size of Syria decimated).

Participating talent for Aiding Australia includes Robert Downey Jr., Michael Keaton, Jeremy Renner, Harrison Ford, Jim Carrey, Josh Brolin, Bryan Cranston, Hugh Jackman, Patrick Stewart, JK Simmons, Tobey Maguire, Alfred Molina, James Franco, Danny Elfman, Tim Burton, Kim Basinger, Robert Wuhl, Tim Allen, Colin Hay, Drew Struzan, and Michael Rosenbaum.

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