Elvis the movie you expect from stylized director Baz Luhrmann, which is an experience that no one else can provide — a messy, chaotic, crazy, sometimes tin-eared yet audacious and immersive kaleidoscope of sight and sound that feels like a theme park ride.

The best reason to go see the film is Austin Butler (Once Upon A Time In Hollywood) and his gloriously inspired performance. The young man simply dissolves into the role and makes you forget you’re watching an actor. The way he captures the cadence, the drawl, the presence of Elvis, and not just his jerky movements, is phenomenal, and then you remember that it’s Butler doing all his own singing as well, and the spell is near complete. He is Elvis.

It’s a performance guaranteed to win as many plaudits as awards season has to offer. Through Butler’s performance, a younger generation can understand what all the hubbub was about. The man brings the character to life but he especially brings Elvis the performer to startling life. Even if you hate Luhrmann’s other movies, and he is definitely divisive, and even if you couldn’t care less about Elvis in the year 2022, this movie is well worth watching for the sheer brilliance of Butler alone.

Elvis the movie feels like a perfect assignment for director Baz Luhrmann. His unconventional stylistic approach livens up an otherwise conventional rise-and-fall tale, broadening the appeal of Elvis for an audience that might have otherwise shrugged at a movie chronicling the man’s exploits. The subject matter is also the squarest for Luhrmann, which makes it also the safest movie of his career, which is truly saying something considering some of the imaginative highs of this movie.

There will be just as many people put off by the excessive, in-your-face style of the movie as drawn in by that Luhrmann razzle dazzle. Luhrmann can be exhausting even at his best but he’s also one of the few filmmakers that makes watching a movie such a textual experience, where sight and sound are layered in such meaningful and granular details to better immerse the viewer. The sound design’s ebb and flow is incredible, expect across the board BTL nominations for this Warner Brothers picture. Nominations for Butler as lead actor and Luhrmann for directing also guaranteed. Academy Award winner Tom Hanks will be left in the dust as the poorly portrayed Colonel Tom Parker, Elvis’ greedy manager and the film’s oddly-chosen narrator.

About The Author

Founder, Awards Editor

Byron is the Awards Editor and Founder of Awards Focus, in addition to being a National Arts and Entertainment Journalism Award winning journalist for his work at The Hollywood Reporter.

Working as a journalist and moderator, Byron hosts Emmy and Oscar panels for the major studios, featuring their Below The Line and Above The Line nominees (in partnership with their respective guilds).

Moderating highlights include Ingle Dodd's Behind the Slate Screening Series for Emmy and Oscar nominees, The ArcLight's Hitting the High Note Oscar series, The Hollywood Music and Media Academy FYC Series, and Emmy & Oscar panels for Society of Lyricists and Composers.

Byron's panels range from FX's Fargo to Netflix's The Crown, The Queen's Gambit, & Bridgerton; HBO Max's The Flight Attendant, Hacks, Succession, Insecure, Lovecraft Country & The White Lotus; and the Apple TV + hit series Ted Lasso.

In February of 2020, Byron hosted and organized the Aiding Australia Initiative; launched to assist in the restoration and rehabilitation of Australia's wildlife (an estimated 3 billion animals killed or maimed and a landmass the size of Syria decimated).

Participating talent for Aiding Australia includes Robert Downey Jr., Michael Keaton, Jeremy Renner, Harrison Ford, Jim Carrey, Josh Brolin, Bryan Cranston, Hugh Jackman, Patrick Stewart, JK Simmons, Tobey Maguire, Alfred Molina, James Franco, Danny Elfman, Kim Basinger, Robert Wuhl, Tim Allen, Colin Hay, Drew Struzan, and Michael Rosenbaum.

Byron is also a patent holding inventor, screenwriter, and songwriter (X-Men Apocalypse) in addition to being a proud member of The Society of Lyricists & Composers and BMI.

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