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    • Albrecht Schuch & Heike Merker

      Oscar Nominated Makeup Artist Heike Merker and Actor Albrecht Schuch on "All Quiet On The Western Front"

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    • “Only Murders in the Building” Season 4 Premiere: A Star-Studded Event on the Iconic Paramount Lot

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    • Emmy Nominated VFX Supervisor Christopher Townsend On Special Effects Wizadry With Disney+’s ‘Loki’

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    • OZARK Showrunner Chris Mundy

      Emmy Nominee Chris Mundy: Ozark’s "All In" and What to Expect in Season 4

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    • Julia Garner in OZARK

      Emmy Winner Julia Garner: Ruth is the Underdog

    • OZARK Editor Cindy Mollo

      Emmy Nominated Ozark Editor Cindy Mollo on Season 3 & Inspired Choices

    • OZARK Casting Director Alexa L. Fogel

      Alexa L. Fogel: Casting Future Emmy Winners & The Art of an Audition

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    • X-Men 97 Teaser Poster

      Marvel Animation's "X-Men 97" to Stream on Disney+ Beginning March 20th

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    • Emmy Nominated VFX Supervisor Christopher Townsend On Special Effects Wizadry With Disney+’s ‘Loki’

    • Emmy-Nominated ‘X-Men ’97’ Director Emi/Emmett Yonemura on Capturing The Essence Of The Original

    • Emmy-Nominated Costume Designer Christina Flannery On Going Ridiculous with Max’s ‘The Righteous Gemstones’

    • Emmy-Nominated Cinematographer Armando Salas Put His Own Stamp On Netflix’s ‘Griselda’

    • Emmy Nominated VFX Supervisor Richard Bluff On Bringing Beloved Characters To Life In Disney+’s ‘Ahsoka’

    • Emmy-Nominated Music Supervisor Catherine Grieves On Lifting Darker Moments In Netflix’s ‘Baby Reindeer’

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    • Film Review: Clerks III

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      JK Simmons and Brother David Simmons to Host Benefit Concert for The UBU Project

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      Brothers David and JK Simmons Seek to Eliminate Youth Suicide, Addiction, and Bullying Through the Arts

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Oscars 2020

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Recent Interviews

  • “Only Murders in the Building” Season 4 Premiere: A Star-Studded Event on the Iconic Paramount Lot

  • ‘Fancy Dance’ Costume Designer Amy Higdon On Styling Androgyny And The Richness of Powwow Regalia

  • Emmy Nominated VFX Supervisor Christopher Townsend On Special Effects Wizadry With Disney+’s ‘Loki’

  • Emmy-Nominated ‘X-Men ’97’ Director Emi/Emmett Yonemura on Capturing The Essence Of The Original

  • Emmy-Nominated Costume Designer Christina Flannery On Going Ridiculous with Max’s ‘The Righteous Gemstones’

  • Emmy-Nominated Cinematographer Armando Salas Put His Own Stamp On Netflix’s ‘Griselda’

  • Jeff Probst On Support For “Survivor” Players, Enduring Playfulness and Teasing Season 47

  • Emmy-Nominee Kaitlin Olson On Embracing the Messy in Max’s Hit Comedy Series “Hacks”

  • Desi Lydic Rides Her Sharp Satirical Takes To Emmy Nods for ‘The Daily Show’ And ‘Foxsplains’

  • Emmy Nominated VFX Supervisor Richard Bluff On Bringing Beloved Characters To Life In Disney+’s ‘Ahsoka’

Recent News

  • Emmy Nominated VFX Supervisor Christopher Townsend On Special Effects Wizadry With Disney+’s ‘Loki’

  • Emmy-Nominated ‘X-Men ’97’ Director Emi/Emmett Yonemura on Capturing The Essence Of The Original

  • Emmy-Nominated Costume Designer Christina Flannery On Going Ridiculous with Max’s ‘The Righteous Gemstones’

  • Emmy-Nominated Cinematographer Armando Salas Put His Own Stamp On Netflix’s ‘Griselda’

  • Emmy Nominated VFX Supervisor Richard Bluff On Bringing Beloved Characters To Life In Disney+’s ‘Ahsoka’

  • Emmy-Nominated Music Supervisor Catherine Grieves On Lifting Darker Moments In Netflix’s ‘Baby Reindeer’

  • Emmy Nominations 2024: See the Nominees’ Reactions (Updating Live)

  • A Masterclass in Authentic Storytelling: FX’s ‘Shōgun’ Celebrated at Disney FYC Event

  • Maya Erskine On Learning to Kick Ass in Mr. and Mrs. Smith

  • Composer Atli Örvarsson Gives Apple TV+ Series Silo Its Musical Soul

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