Film Review: ‘Jay Kelly’ | The Most Gorgeous Baumbach Film
Deputy Awards Editor Matthew Koss reviews "Jay Kelly" in the latest episode of 'The Wandering Screen'.
Film Review: ‘Sentimental Value’ | Raw. Painful. Beautiful
Deputy Awards Editor Matthew Koss reviews "Sentimental Value" in the latest episode of 'The Wandering Screen'.
‘Neo-Dome’: Bonnie Discepolo and Anna Camp on Their Oscar-Qualified Short and the Fight to Make the Series
‘Neo-Dome’ brings together longtime friends Bonnie Discepolo and Anna Camp as they discuss their Oscar-qualified short, its scrappy indie creation, and hopes for a full series. This conversation took place ahe... Read More...
Film Review: ‘Hamnet’ | Devastatingly Beautiful
Deputy Awards Editor Matthew Koss reviews "Hamnet" starring Jessie Buckley in the latest episode of 'The Wandering Screen'.
Film Review: ‘Song Sung Blue’ | Musical Romance Loses Its Rhythm
Deputy Awards Editor Matthew Koss reviews "Song Sung Blue" in the latest episode of 'The Wandering Screen'.
‘Wicked: For Good’ Editor Myron Kerstein on Building Tension
Academy Award-nominated editor Myron Kerstein sits down with Deputy Awards Editor Matt Koss for a sprawling conversation about Jon Chu's "Wicked: For Good"
The Making of ‘Train Dreams’: Alexandra Schaller’s Innovative Production Design
'Train Dreams' production designer Alexandra Schaller on shaping a world that appears untouched by time and making “invisible” production design.
Film Review: ‘The Secret Agent’ | A Thrilling Masterpiece
Deputy Awards Editor Matthew Koss reviews "The Secret Agent," starring Wagner Moura in the latest episode of 'The Wandering Screen'.
‘Kiss of the Spider Woman’ Costume Designers Colleen Atwood and Christine Cantella on Their Lavish Designs
In "Kiss of the Spider Woman", writer-director Bill Condon was clear from the start that the wardrobe had to express the film’s central duality, its shifting balance between fantasy and confinement. To bring t... Read More...
‘Hedda’ Production Designer Cara Brower on Building a House of Secrets
Production Designer Cara Brower discusses location scouting, collaborating with Nia DaCosta, and crafting the moody, mid-century interiors in "Hedda".