Anže Rozman and Kara Talve have had an incredible few years as they’ve distinguished themselves as standouts in the world of film, television, and commercial scoring. Th... Read More...
A meteoric rise isn’t easy, but once in a while a Robert Downey Jr. type story arrives in the zeitgeist. While this story doesn’t superheroes or 200 million dollar budgets, it does contain a strikingly endearing narrative of a young prodigy studying among his adult peers as he finds his way to scoring cinema.
Emmy award-winning composer Kris Bowers has become one of the most in-demand musicians in his field, and it’s his work on Netflix’s regency drama Bridgerton that has once again placed Bowers into the Emmy conversation.
American composer Pat Irwin has one of the most varied and interesting careers in his field. Spanning decades in the entertainment industry, Irwin has gone from animation like Rocko’s Modern Life to&... Read More...
For Syfy’s original horror series SurrealEstate, composer Spencer Creaghan delivers everything from Irish jigs to jump scares with his versatile score. Creaghan is a JUNO nominated and multi-SOCAN-award-winnin... Read More...
2022 Oscar Nominee Diane Warren, William Shatner, and John Ottman on their Spoken-Word Collaboration
Diane Warren, William Shatner, and John Ottman discuss their spoken-word collaboration, "Somehow You Do," from the film FOUR GOOD DAYS.
Awards Focus spoke to lyricist Carin Besser and composer/songwriter Aaron Dessner about their incredible journey on this project and the challenges of making Cyrano amid the pandemic.
Adam McKay’s new Netflix film Don’t Look Up marks the third collaboration between two Academy Award nominated artists; composer Nicholas Britell, and editor Hank Corwin.
This year's Emmys includes nominations for TED LASSO composers Tome Howe (Professor Marston and the Wonder Women, Shaun the Sheep: Farmageddon) and Marcus Mumford, who are Emmy nominated for their Main Titles theme, “Heaven Knows I Tried.”