Top Gun: Maverick, the undisputed box office champion of 2022, reignited movie theatres in a way few believed was possible anymore. Editor Eddie Hamilton sifted through hundreds of hours of footage to find the best shots and likened working on the project to climbing a mountain.
In this exclusive interview, Byron Burton talks with editor James D. Wilcox on his newest film, Thirteen Lives.
Behind the Comedic Cuts of A Black Lady Sketch Show with Talented Editing Team; S. Robyn Wilson, Bradinn French, Taylor Mason, & Stephanie Filo
Four unique editors make up the extremely talented team who brought their expertise to the award-winning comedy, A Black Lady Sketch Show. The show recently had the third season premiere in April 2022, sh... Read More...
A Philadelphia native and American Film Institute Conservatory alumnus, Eric Litman began his career as an assistant editor working with some incredibly talented directors, including Michael Bay, Paul Haggis, ... Read More...
Editor Peter Sciberras, whose previous work includes David Michôd's The Rover and War Machine, is already receiving considerable attention for his tension-filled editing on Jane Campion's Netflix Western The Power of the Dog.
It’s an incredibly rare distinction to have two films released in the same year, and yet that’s what editor Myron Kerstein has delivered in 2021 with Warner Brothers’ In The Heights and Netflix’s Tick, Tick… Boom!
Adam McKay’s new Netflix film Don’t Look Up marks the third collaboration between two Academy Award nominated artists; composer Nicholas Britell, and editor Hank Corwin.
If you’ve seen HBO's A Black Lady Sketch Show, you’re keenly away of the versatility and talent of the performers on screen. What you may not know from reading the credits is that the series’ groundbreaking editing team is made up of all women of color: Stephanie Filo, Jessica Hernández, and Daysha Broadway
We had the pleasure of speaking with editor Cindy Mollo about her process editing Ozark, working with Jason Bateman as a director, and capturing unscripted moments to bring humanity to her scenes.
Oscar Nominated Editor Jeff Groth Discusses the Two Mouse Approach When Editing with Director Todd Phillips, Joaquin’s Decision to Reshoot Several Scenes as Arthur Fleck Evolved, and the Thomas Wayne Confrontation Dilemma in Joker