Production designer Brandon Tonner-Connolly explains how The Lowdown captures Tulsa’s heat, texture, and history through meticulous design. From hand-selecting 5,000 books for Hoot Owl Books to collaborating with local artists on murals, Tonner-Connolly brings Sterlin Harjo’s Dust Bowl noir to life with authenticity and community at its core.
Production designer Jean-François Campeau brings Hawai‘i’s past to life in Apple TV+’s “Chief of War.” Collaborating with Jason Momoa and a predominantly Polynesian cast, Campeau blends cultural authenticity with cinematic scale, constructing temples, canoes, and landscapes that honor Hawaiian craftsmanship while capturing the epic scope of the islands’ unification.
Emmy-winning production designer Kalina Ivanov brings a new vision of Gotham to HBO’s "The Penguin," the most nominated show in HBO Max history with 24 Emmy nods. From Crown Point to Arkham, Ivanov’s designs shape the series’ gritty identity and earned her a nomination for Outstanding Production Design.
Emmy-nominated production designer Rob Tokarz discusses his journey on 'Hacks,' the challenges of season 4, and the resilience of his design team. Tokarz shares his nomination for Outstanding Production Design... Read More...
'SNL' director Liz Patrick and production designer Keith Raywood discuss 'SNL50,' fast-paced production, and the close-knit family behind the scenes.
“The 50th anniversary special—as a fan, growing up watch... Read More...
Few television series have reshaped the cultural zeitgeist as dramatically as Netflix's "Squid Game." Much of that impact can be credited not only to creator Hwang Dong-hyuk but also to the work of production designer Chae Kyoung-sun, editor Nam Na-young, and cinematographer Kim Ji-yong. In conversations with Awards Focus, all three artisans shared insights into their creative contributions to Season 2
Adam Tomlinson, the Production Designer for the hit show "Adolescence" spoke with Awards Focus about designing for the oner format, navigating technical hurdles, and why sometimes the best production design is the kind you don’t notice until it hits you in the gut.
Season 7 of Netflix’s “Black Mirror” continues to explore the unsettling intersections of technology and human nature, delivering a collection of episodes that challenge perceptions and provoke thought. The intricate and immersive sets of both episodes are the work of veteran production designer Miranda Jones. Miranda Jones spoke with Awards Focus about crafting two of the season’s most visually ambitious episodes, the balance between genre homage and grounded storytelling, and how thoughtful design can support both performance and narrative.