Hannah Friedman is versatile veteran when it comes to television, with writing and producing credits on “Obi-Wan,” “Willow,” “Wet Hot American Summer,” “Roadies,” “About A Boy,” and “Super Fun Night” (Rebel Wilson).

Currently, Friedman is a Co Executive Producer, writer, and songwriter on Disney+’s Muppets revival, “Muppets Mayhem.” The series stars Lilly Singh, Tahj Mowry, and Andrew Holms alongside Jim Henson’s famous puppet creations. The plot follows the Muppet band, Dr. Teeth & The Electric Mayhem as they journey from the Muppets realm into the current world of music in an attempt to go platinum.

Alongside her work as a co-EP and writer on the show, Hannah also collaborated with music EP Linda Perry, co-writing the opening title track “Rock On” (included below). This led to the show’s soundtrack album charting at number one on the Billboard’s Kid Albums category.

Friedman spoke to Awards Focus’ Byron Burton about all things Muppets, her expansive career, and what’s next on her horizon.

Awards Focus: The Muppets franchise is well-known, but with “Muppet Mayhem” you’re able to connect with a new generation of families while keeping the spirit of the original alive. How did you approach writing the lyrics and creating the feeling that we experience when hearing the “Muppets Mayhem” theme song “Rock On?”

Hannah Friedman: Great question! We knew that this had to be an anthem for the ethos of the band, and what we love about the band is that they are a family and they always find a way to come together through music. That was kind of the north star of the series thematically and we were hoping to find a way to encapsulate that theme in the hook.

So “Rock On” felt like a fun nod to their mission statement as characters. We also tried to add in a lot of groovy wordplay because Bill Barretta, our Dr. Teeth, is such a talent at riffing when he delivers vocabulary as Dr. Teeth. We wanted to give him some lyrics that felt in line with his playfulness and his loquaciousness.

AF: Can you discuss the role of music in children’s programming and how it contributes to the overall viewing experience and emotional connection with the characters and story?

Friedman: Music is such a huge part of Muppets and obviously this show is about a band so it was even more central in the storytelling. Music has the ability to make us feel beyond anything words can express, so we used it in every episode to land the emotional beats, to tie characters together across storylines, and to echo back to memories of the past.

It is such a dynamic paintbrush and we were so lucky to get to work with Dawn Soler and Mick Giacchino and Linda Perry and everyone on the music team.

Hannah Friedman and Muppet Courtesy of Talent

AF: What was your collaborative process like with co-writer Daniel Pinnella?

Friedman: Dan is the greatest! We have worked on a few projects together so we’ve developed a shorthand. He’s a genius in the studio and prolific on guitar, so we just jammed out as fast as we could and we’re very proud of the results. 

AF: Were there any points of the process that challenged you creatively and resulted in a new idea or approach for the song?

Friedman: We actually weren’t sure about the chorus hook, “Rock On” felt like maybe too on the nose at first and we wavered between that and other aphorisms about the rock and roll lifestyle that echoed the sentiments of the series… this being the time of their lives, or how we’re a family through the music. Ultimately, the “Rock On” hook kept coming back and back and we took a chance and put it in.

AF: The soundtrack for the series reached #1 on Billboard’s Kid Album Category. What was it like seeing the audience’s reaction to the music and “Rock On” in particular?

Friedman: Oh, a total dream come true! We’ve loved Muppets since we were kids so getting to be a tiny part of that musical legacy is literally the best we could’ve ever hoped for. We’re so touched that the fans got behind the music because we are also genuine fans of The Mayhem and all the music from Muppet cannon. 

AF: “Rock On” has become an anthem for the series. How do you hope this song will leave a lasting impression on young audiences, and what do you think sets it apart from other theme songs in children’s entertainment?

Friedman: We think it taps into the zest for life and for community via music that the band believes in wholeheartedly. It’s just an infectious feeling, so we’re so thrilled it’s been connecting with people and the larger theme of no matter what happens, snow or sleet, if you have your bandmates and you keep moving forward you will be OK.

We’ve found that to be the case in the music industry and in our own personal lives, finding the joy in comradery and just rocking to get through those times. So we hope it’s a fun tune and also a comforting message to the audience.

AF: What’s next for you in the children’s entertainment space?

Friedman: I’m developing a series with my husband Jacob at Henson for kids, puppets and music will be front and center so we can’t wait to get it out to the world! 

About The Author

Founder, Awards Editor

Byron Burton is the Awards Editor and Chief Critic at Awards Focus and a National Arts and Entertainment Journalism Award winning journalist for his work at The Hollywood Reporter.

Byron is a voting member of the Television Academy, Critics Choice Association, and the Society of Composers & Lyricists (the SCL) for his work on Marvel's X-Men Apocalypse (2016). Working as a journalist and moderator, Byron hosts Emmy and Oscar panels for the major studios, featuring their Below The Line and Above The Line nominees (in partnership with their respective guilds).

Moderating highlights include Ingle Dodd's "Behind the Slate" Screening Series and their "Spotlight Live" event at the American Legion in Hollywood. Byron covered the six person panel for Universal's "NOPE" as well as panels for Hulu's "Pam & Tommy Lee" and "Welcome to Chippendales" and HBO Max's "Barry" and "Euphoria."

For songwriters and composers, Byron is a frequent moderator for panels with the Society of Composers and Lyricists (SCL) as well as The ArcLight's Hitting the High Note Oscar series.

Byron's panels range from FX's Fargo to Netflix's The Crown, The Queen's Gambit, The Witcher & Bridgerton; HBO Max's The Flight Attendant, Hacks, Succession, Insecure, & Lovecraft Country; Amazon Studios' The Legend of Vox Machina, Wild Cat, & Annette; and Apple TV+s Ted Lasso, Bad Sisters, and 5 Days at Memorial.

In February of 2020, Byron organized and hosted the Aiding Australia Initiative; launched to assist in the restoration and rehabilitation of Australia's wildlife (an estimated 3 billion animals killed or maimed and a landmass the size of Syria decimated).

Participating talent for Aiding Australia includes Robert Downey Jr., Michael Keaton, Jeremy Renner, Harrison Ford, Jim Carrey, Josh Brolin, Bryan Cranston, Hugh Jackman, Patrick Stewart, JK Simmons, Tobey Maguire, Alfred Molina, James Franco, Danny Elfman, Tim Burton, Kim Basinger, Robert Wuhl, Tim Allen, Colin Hay, Drew Struzan, and Michael Rosenbaum.

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